Photography

I have developed my interest in photography while studying art history. I am fascinated by the way photography can explain as well as challenge artistic standards over history. I like to use photography to initiate reflexions around the definition of daily sceneries in a funny, poetic or dramatic way. I like to look at the border between fine art photography and documentary photography: using my camera as a means to record the world in images that are not fixed statements of fact but, rather, that can be read and interpreted in many different ways.

In recent years, I developed my interest in photography in a more personal and interpretative way and became a member of the collective Touch My Film. My core interest navigates around showing empty spaces and places as they are. I like showing spaces usually attached to human activity -such as cafés, buildings, public places - devoid empty of any human presence. Linked to my curatorial practice, I address notions of displacement, depopulation and heritage as consequences of a globalised world.